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The twice sold-out West End production of Fiddler on the Roof opens in Sydney this week, with an all-star Australian cast set to take to the stage. Could this be the revival that Sydney’s theatre scene needs?
Jane Austen’s Pride & Prejudice is one of the most revered romantic novels in English literature. Could it possibly be turned in to a musical comedy? This production says “Yes” – and the result is side-splittingly good.
Marking the start of their winter season with a free lunchtime performance at the Queen Victoria Building, Opera Australia is looking to reach new audiences in its 70th year.
As Sydney’s theatre industry reels from three failed productions in quick succession, these smaller venues are proving more resilient.
Famed for its lavish interiors, glittering chandeliers and eclectic events program, the State Theatre is not only one of Sydney’s most recognisable landmarks, but also one of its most fascinating.
Once a most revolutionary show dealing with sex, drugs and politics, Hair is back. Is it still as shocking? Peter Lynch finds out.
Nearly six decades after it first burst onto Broadway in 1968, and 57 years after it shocked Sydney audiences with its Australian premiere, the rock musical Hair is returning to the Harbour City.
What if Macbeth wasn’t a Scottish king consumed by ambition, but a Disney Channel-style 13-year-old child star desperate to be famous? Yve Blake spills all about her new play, Mackenzie.
Described by The New York Post as “Broadway’s funniest new musical”, Tootsie will make its highly anticipated Australian debut at Leichhardt’s Teatro at the Italian Forum.
Lisa McCune stars as M’Lynn in Steel Magnolias at Theatre Royal Sydney from May 13- May 30. She tells us why the role hits close to home as a mother, and why being in Sydney is so special.
We acknowledge the Traditional Custodians of the lands where we work, live, and play. We pay our respects to Elders past and present, and acknowledge this always was and always will be Aboriginal land.
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