Peter Lynch 
The Australian music scene is never dull, and this November and December will see an extraordinary parade of global superstars. Our very own rock titans, AC/DC, are not just selling tickets; they’re obliterating records, moving over 320,000 tickets in a single day for their “POWER UP” tour, marking Ticketek’s largest tour on-sale day in its
American R&B singer Usher has cancelled his upcoming Australian tour – but no-one was saying why. Australia’s appetite for bit tours seems to be huge. But there had been complaints about high ticket prices. From October onwards, Australia will see massive tours from the likes of AC/DC, Oasis, Kendrick Lamar, Metallica, Addison Rae, Mariah Carey
It’s slapstick and pantomime all rolled into one. Mr Bean would be right at home on this stage. As would Peter Sellers in the Pink Panther. The idea is simple. But the humour is irresistible. You simply won’t stop laughing. This is no-brainer territory. In fact, you can check that organ in at the cloakroom.
Sydney, you’ve been blessed. In the past two months, we’ve seen two of the world’s longest-running musicals. And they couldn’t be more different. In May, we watched enthralled as Les Misérables, from the pen of the man the New York Times called the most powerful producer in theatre, Cameron Mackintosh, took over the ICC Theatre.
“Magic is the only honest profession. A magician promises to deceive you and he does.” – Karl Germain, renowned American magician. Scott Silven is an accomplished story teller. And tonight’s story is about a young boy with an Ipod – remember those? – who is lost in a forest near his home in Hamilton, Scotland. Ostensibly,
New York’s famed Tony Awards have recognised Australian actress Sarah Snook and the Sydney Theatre Company’s production of The Picture of Dorian Gray. Snook, who plays 26 different parts in the remarkable and theatrically acclaimed production, won Best Performance by an Actress in a Leading Role and Marg Horwell won Best Costume Design in a
Stepping into “Titanic: The Human Story in Sydney is less like visiting a museum and more like embarking on a voyage through time, a journey that manages to pluck at every emotional string, leaving you laughing at the sheer absurdity of human hubris and weeping at the profound tragedy of it all. It’s ironic that
Here at The Sydney Travel Guide, we champion everything that makes our city unique and vibrant. From the iconic Opera House to the hidden laneway bars, we celebrate Sydney’s spirit. And that spirit, for generations, has included the reliable, ever-present white cab. In an era of ride-share apps and digital disruption, the sight of a
There is more to Sydney than its majestic Harbour Bridge and iconic Opera House. And now, tourist bosses at Destination NSW are embarking on a bold new mission: to convince the world – and Sydneysiders – that there’s more to discover beyond the postcard-perfect landmarks. A new campaign, the latest chapter in Destination NSW’s “Feel
Vivid Sydney 2025, the Southern Hemisphere’s largest multi-artform festival, opened last Friday – but snipers are already taking aim.
We acknowledge the Traditional Custodians of the lands where we work, live, and play. We pay our respects to Elders past and present, and acknowledge this always was and always will be Aboriginal land.
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